This project was a collaboration between myself and Noor Ud Din, from Pakistan. He modelled the initial site map, then it was handed over to me to complete the project. Despite being a beginner, Noor Ud Din laid a lot of ground work, enabling me to focus on details such as the car parks, tents and trees. Using the BlenderGIS addon, I was able to extend the scene out to the horizon, downloading data for elevation, distant buildings and areas of forest. Once the scene was ready, I was concerned regarding the harmony of the flythrough animation to the voiceover as timing was crucial. Time was tight and the deadline was final! How I was going to animate everything in sync with the voice over- it's five minutes long! The animation would have required going back and forth from Blender to Premiere, setting time markers, essentially guessing the timing and hoping the animation would line up with the VO. But the issue was the length of audio, how was I going to achieve that in the time left, when rendering was a major step I had not even approached yet? Then I remembered Blender has a built in NLE, so what if I drop in the audio, what would happen? I dragged it in and hit play, I thought perhaps this built in video editor is going to operate as an entirely different workspace to the 3D workspace. But then I hit play on the timeline, and to my surprise it played instantly and alongside the 3D animation timeline. One timeline across all workspaces in Blender. The audio was scrubbing perfectly without a hitch. I could cut it down and have it play in realtime without a hitch whilst I scrubbed through the timeline, allowing me to animate directly to the words. It was an incredible find. This meant the entire camera animation was completed within a day or two. The camera animation was straightforward. A camera and camera target were animated individually along with some natural soft camera shake to polish the movements with imperfections like that of a drone operator.